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Wukongism: Monkey King, Kungfu/Jazz, and Asian/American Performance.

Doctoral Dissertation.

City University of New York, ProQuest Dissertations Publishing, 2018.

Peer Reviewed Articles and Book Chapters

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Designturgy, Being Queer.

Book Chapter.

The Taylor Mac Book: Ritual, Realness and Radical Performance, edited by David Roman and Sean Edgecomb, 163-182. Ann Arbor, MI: University of Michigan Press, 2023.

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The Broadway-Style Musical in/and Global Asias, 1920-2019.

Book Chapter.

The Routledge Companion to Musical Theatre, edited by Laura MacDonald and Ryan Donovan, with William A. Everett, 418-435. New York, NY: Routledge, 2023. Co-author: Rina Tanaka.

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A 'Model' American Musical: Hamilton and the Rise of Model Minorities.

Book Chapter.

Dueling Grounds: Revolution and Revelation in the Musical Hamilton, edited by Mary Jo Lodge and Paul R. Laird, 117-132. New York, NY: Oxford University Press, 2021.


Designturgy, Being Queer: Taylor Mac Wears Machine Dazzle

in 24 Decades.

Peer-Reviewed Journal Article.

Theatre Topics, Volume 30, Number 3, November 2020, 169-185.

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Before the Parade Passes By: All-Black and All-Asian Hello, Dolly! as Celebration of Difference.

Book Chapter.

The Routledge Companion to the Contemporary Musical, edited by Jessica Sternfeld and Elizabeth Wollman, 196-205. New York, NY: Routledge, 2019.

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Everybody's Song Making: Do-it-yourself with and against Artificial Intelligence.

Peer-Reviewed Journal Article.

Performance Research, Volume 24, Number 1, April 2019, 120-128.


Kungfu/Jazz as a New Approach to Music Theatre Making:

Fred Ho and Manga Opera.

Peer-Reviewed Journal Article.

Studies in Musical Theatre, Volume 11, Number 2, June 2017, 197-218.


Modern Musicals in Asia: China.

Book Chapter.

The Routledge Handbook of Asian Theatre, edited by Siyuan Liu, 530-34. New York, NY: Routledge, 2016. 

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Immortal Voices of the Speechless Deep: The Sea as "Gray," "White," and "Black" Villain in Nautical Melodrama.

Peer Reviewed Journal Article.

Performance and Spirituality, Volume 4 (2015): 1-22. 



Manipulators of Coterminous Worlds in the Borderless "Strange Tales of Liaozhai."

Performance Review.

Puppetry International, Volume 35, Number 1 (2014): 32-33. 


Breaking Down the Bard: Heiner Müller’s Macbeth After Shakespeare, Directed by Ivica Buljan, at Ellen Stewart Theatre, co-author: Shari Perkins.

Performance Review.

Slavic and East European Performance, Volume 32, Number 1 (2013): 117-24.

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